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60The plucking hand (I)
The one which offers that characteristic touch to our sound, apart the note choice. Generally the right hand, we’ll call it that way here, though all the following can be used as well if you’re lefty....
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71Chaining arpeggios with bass (and II)
This is the second and last part of an article called “Chaining arpeggios with bass (I)”, previously published in these pages. Reading the first part is essential to understand this one, because the...
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79Chaining arpeggios with bass (I)
When it’s time to build a bass line there are thousands of posibilities. Depending on the style we’ll tend to define more or less chord harmony. But what’s sure is our bass line will act as a rope (a strong one) which ties togheter a chord to...
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